Posted by
Nov 7, 2019

In this popular article (one of the most popular in our blog) we explained how having a graphic EQ pedal in your effect chain can open up a lot of tonal options, in particular when it interacts with your gain stompboxes and amp. The EQ pedal used as an example in that piece was the classic BOSS GE-7, a rather simple graphic EQ stompbox, which can boost and cut 15db over seven frequencies across the sonic spectrum, and also features a +/- 15db level fader.

BOSS’s new EQ-200 Graphic Equalizer takes that concept and brings it to modern (and digital) times with an expanded 10 band graphic EQ, 4 presets, an LCD screen, 32bit/96KHz sample rate processing, Two EQ Channels for instant A/B switching, and full connectivity to outside sources through Midi, Expression, extra external footswitches and several routing options.

The two channels can be run one after the other in Series Mode, which basically allows you to shape your basic tone with one and set up the second for solos or additional sound shaping, or simultaneously panned to the left and right in Stereo Mode.

To make things even more flexible…

The center frequency configuration of the bands can also be set to one of three types, letting you optimize the EQ-200’s equalization for all types of instruments, from electric and acoustic guitars to bass, keyboards

These three ranges put the center points of the frequency bands into ranges guitar centric, bass centric, and full range, as there are preferred attention frequencies dependent on use.

Check out the videos of the EQ-200 below, and a more in depth description of the pedal at the bottom.

 

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit AD/DA, 32-bit internal processing, and 96 kHz sampling rate, as well as support for additional control via external switches, an expression pedal, or MIDI.

The EQ-200 is the most flexible compact EQ ever created for guitar and bass. It features two wide-ranging 10-band EQ channels, plus an onboard graphic display that shows the current EQ curve at a glance. Selectable signal flow structures configure the channels for stereo, parallel, or series operation, and it’s even possible to patch in external pedals for deep pre/post tone shaping. Going further, the frequency centers of all 10 bands can be set to three different types, letting you optimize the EQ-200’s performance for different instruments.

  • Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate
  • Dual 10-band EQs that can be used in stereo, parallel, or series
  • Insert function for processing external effects with pre and/or post tone shaping
  • Three different range settings: 30 Hz to 12.8 kHz, 32.1 Hz to 16 kHz, and 28 Hz to 14 kHz
  • 15 dB boost/cut on each band, plus overall level control for each channel
  • Stereo link function for operating both EQ channels together
  • Intuitive interface with hands-on sliders and graphic EQ display
  • Real-time panel setting and four memories for storing favorite sounds
  • Panel Lock function disables controls to prevent unwanted changes
  • Two onboard footswitches with customizable assignments
  • Support for expanded control via external footswitches, an expression pedal, or MIDI
  • Full MIDI I/O provided with mini TRS jacks (BMIDI-5-35 adaptor cable available separately)
  • Micro USB jack for firmware updates
  • Runs on PSA-series AC adaptor or three AA-size batteries
  • Dual 10-Band EQs with Adjustable Range

    With its refined design, 32-bit/96 kHz engine, and ultra-low noise specs, the EQ-200 delivers precision tonal control with superior audio quality. Up to 15 dB of cut or boost is available on each band, and each channel has a level slider for balancing with the bypass sound or kicking in a solo boost when needed. The center frequency configuration of the bands can also be set to one of three types, letting you optimize the EQ-200’s equalization for all types of instruments, from electric and acoustic guitars to bass, keyboards, and beyond.

  • Flexible Signal Flow and Pre/Post FX Insert

    The EQ-200’s variable signal flow structure offers an uncommon level of versatility in sculpting sounds. The A and B channels can be linked together or used independently, and you can also patch in an external pedal (or a chain of pedals) for pre-EQ and/or post-EQ processing. When used with overdrive and distortion pedals, this provides an exceptional level of power in honing your tone for both rhythm and lead playing. Series mode runs the two EQs one after the other, allowing you to shape your basic tone with one and set up the second for solos or additional sound shaping.

  • Simple Interface and Visual EQ Display

    Using the EQ-200 is fast, intuitive, and frustration-free. Hands-on sliders provide direct access to 10 EQ bands and master channel level, while the informative display offers a visual overview of the current EQ curve. The two channels are toggled with a dedicated panel button, and navigating deeper parameters is quick and efficient. And with the useful Panel Lock function, you can disable the controls to prevent accidental changes while operating other pedals on your board.

  • Save and Recall Your Favorite Setups

    The EQ-200 offers four onboard memories, allowing you to save favorite setups for install recall. There’s also a Manual setting that reflects the current panel settings, essentially giving you a fifth setup to choose from. You can scroll through memories with an EQ-200 footswitch, and it’s even possible to limit the scrolling range or assign memories directly for faster access while performing.